I’m bad at being an invalid, so I keep / angel teeth in my pocket and crunch / them up into dust
I used to waste a lot of paper in notebooks—like, a lot of paper. Whole book butts were left blank, half a sheet of paper used, chunks ripped out and discarded. In retrospect, it was wasteful, but I also understand that version of myself: the one who desired clean lines and spaces above all because it felt like control. Now, though, I write until the book is full, even when the spine is broken and the cover is stained with coffee. I hate carrying it around when it looks bad, yet I must admit that the books represent a chapter of my life. As I finish one notebook and open another, a new chapter begins.
She’s waiting for spiders to crawl / from her fingernail ridges and ride / into battle, feeling their history / as they mutate into something new / then forgotten.
Creative pursuits are a practice, and you have to show up for them or they won't show up for you. Last month, I made sure to answer a writing prompt every day in June. I showed up, even when I really didn't want to, because the next couple of months might mean a step back from creativity in favor of wedding and grad school preparations. Of course, the second you release any expectations on your creativity, story ideas flow, so we'll see how I do. After all, a novelist haunts these bones.
For the month of June, I've challenged myself to answer one prompt out of 642 Things To Write About. So far, so fine. Writing short form is hard for me, so I've focused instead on imagery and making interesting word connections. Only one of those things has happened so far, but the rest of June lies ahead. Thanks for being a part of this accountability project.
My flash fiction piece "Wellspring Wandering" was published by Bait/Switch, which is a unique journal because it is intensely interdisciplinary and collaborative. My piece was inspired by a sculpture by Victoria Rosenblatt which was inspired by a previous piece put out by the journal. Another neat fact about Bait/Switch is that the editors conduct interviews … Continue reading Publication Alert
Her knee jiggles. Incessant anxious energy has made its home in her veins, moving through her as steadily as blood. Today, though, the anxiety is a physical manifestation as it plays on her nerves. It is a violation of spirit.
When I moved to Boston in 2017, I wanted to be a clinical psychiatrist. After working as a therapeutic writing facilitator, I was so intrigued by the thought of helping people heal that it became more important to me than being a novelist (plus no one was interested in a fictionalized account of the French Revolution, despite its cultural and political relevance). Add in my new job with Harvard Medical School, I realized there was a lot of growing I still needed to do before spending any more time as a student. My life had to start, so it did.
The young man who lives above the organ rents his room for ten dollars a day. It’s a good deal for a student in the city, especially for one who’s rarely home and doesn’t mind choir practice on Monday and Thursday afternoons and during Sunday services. He’s rarely home on Sundays, anyway, spending those moments instead doing rounds at a community clinic. Though his mother raised him Catholic, he doesn’t spend much time in the sanctuary. He sees God in the world, in the face of the sick, the poor, the forsaken. Being a Christian, he thinks, means that you are a servant as Christ was. To be a Christian, one with absolute faith, your life is in service of love, no matter how painful that love often is.
It’s been such a long time since I saw you on stage, honey dripping from your hair in the spotlight as you transformed from one of those caged birds into a wild falcon. You were all motion and music. And as your violin cried out its sequacious notes, I sat in that uncomfortable auditorium chair with stemmed roses and baby’s breath digging into my forearm. Lateness forced me into the back of the room due to lateness, but you reached me from your perch a dozen yards away, standing before the conductor, swaying in time to his baton.