Writing every day used to come easily. Once, a professor asked my class who there wrote every day. No one raised their hand but me, and he told me I was full of shit. Back in those days, I was full of shit for a bunch of different reasons but lying about writing every day wasn’t one of them. Despite my daily practice, it took me seven years to complete a book about the French Revolution that I’m still not happy with. It took years to realize that writing every day is a practice dedicated to its own perpetuation, like jogging. After moving to Boston, without the external expectation of school or a big project, the daily practice was pushed to the wayside in favor of work and friends. My writing muscles got flabby. Very flabby.
This room has four walls, but it is also without walls, expanding past the fragile steel of my skull. A fragment of me looks at rows and rows of glass bottles that harbor remnants of some yesterday. I am there, fingers tracing along bumpy corks and smooth, cool glass. Memories pulse beneath like a plasma bowl, striking out in purples, blues.
Let's get the cliché out of the way now: It's been a long year. Like, a really long year. As someone who is very comfortable at home, man was lockdown hard. About midway through it, I found myself restless and irritable and certain that nothing was never going to change. Anxiety attacks were making a more consistent appearance in my days. When I talked about it with my therapist, she asked me what I did throughout a typical year. After thinking about it for a minute, I said that I normally went on several domestic and one or two international vacations a year. In that time, I typically had a lot of revelations about myself and wrote a lot. So, in that light, the anxiety isn't fear so much as is claustrophobia. For the last year and a half, I've been trying to shed my skin but haven't had the room. Now, though, as the world begins to open to vaccinated people, it feels like it might be time to molt.
A lot can be said for living with your landlord. My landlords care a lot about their property, but they also care a lot about me. That much is evident in the upstairs bathroom’s new herringbone tile, fresh baseboards, newly installed wall heater, and drafts that have been filled and sanded smoothed. The kitchen has a new sink, updated plumbing, garbage disposal, recessed lighting. The first-floor’s black ceiling has been painted white, transforming the space from man cave to coffeehouse. When we find some tall enough bar stools, we’ll have to start saving for an industrial espresso machine. Not that you gotta twist my arm about that.
The doughnut shop isn’t up to code; / danger makes a delicious dish. / Here, hello is flash-fried catfish.
Something awful happened in March. Brennan and Lark—longtime housemates and very good friends—moved out of the House. This is awful for two reasons. The first being on a personal level because they are in Chicago and no longer readily available to hug and watch His Dark Materials. The second, however, is more ephemeral in nature. Seeing someone every day naturally means that you will come to take them for granted. The second they’re gone, their importance stands out with so much brightness that you almost have to close your eyes against the glare.
My grandfather's jaw is locked / into the smoothness of my chin / a mechanism that helps me chew / the fat at Christmas
I need to write something. It needs to be 500 words. It needs to be posted today. At first, I was going to post a poem because I have lots of poems stored in the archives, but then I decided that would be cheating. So, here we are at the edge of burnout. This week marks one year in quarantine. One year of sitting in my bedroom, day after day: wake up, walk the dog, work, eat, work, walk the dog, work, walk the dog, eat, scroll, sleep. Intersperse that with some major dissociative episodes kicked off by mindlessly checking social media, and you’ll have a good idea of what this pandemic has looked like for me. It’s probably been the same for you, too. Or maybe you’re one of those people who had the personal strength to get super into CrossFit and cut carbs out of your diet for good. If you are one of those people, good for you. I am not.
Pen clicks mark time / in a unit where no gets / to leave.
It’s a new year, and I am reflecting on the nature of my relationship with creativity. I’m learning to fall in love with reading again in the hopes that it will lead me back to writing. That was the case for me when I was younger. I read so much that the words tumbled out onto my own page with relative ease. Of course, writing and reading were both coping mechanisms for a rather gentle-natured child who did her best to handle the emotions of those around her. In any case, we are approaching the first anniversary of the Bug Eyes recording, which was released in November to surprising success. I say surprising not because the album isn’t good but because I am not as familiar with the feeling of success as I’d like to be.